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A scene where Blondie and Angel Eyes are resting by a creek when a man appears and Blondie shoots him. He died on July 23, 1994 in Rome. The song has long been used within popular culture. Trumpet players Michele Lacerenza and Francesco Catania can be heard on ‘The Trio’. Patrick McGillagan (1999). Just one line. Soon a series of crimes start and the superstitious people of the village believe that … Leone even played the music on set and coordinated camera movements to match the music. The main theme was also sampled/re-created by British band New Order for the album version of their 1993 single "Ruined in a Day". It is also seen in how Angel Eyes disguises himself as a union sergeant so he can attack and torture Tuco in order to get the information he needs, intertwining himself in the battle in the process. Punk rock band the Ramones played this song as the opening for their live album Loco Live as well as in concerts until their disbandment in 1996. His heavy build meant that he regularly portrayed a thug in his films, particularly earlier in his career in westerns. The distinct vocals of Edda Dell'Orso can be heard permeating throughout the composition "The Ecstasy of Gold". Critic Drew Marton describes it as a “baroque manipulation” that criticizes the American Ideology of the Western,[39] by replacing the heroic cowboy popularized by John Wayne with morally complex antiheroes. [80] This was reflected in his votes for the 2002 and 2012 Sight & Sound magazine polls, in which he voted for The Good, the Bad and the Ugly as his choice for the best film ever made. Leone cared more for visuals than dialogue (his English was limited, at best). During his quest, he crosses paths with Ryan, an ex-con who wants the money the robbers owe him. American heavy metal band Metallica has run "The Ecstasy of Gold" as prelude music at their concerts since 1985 (except 1996–1998), and in 2007 recorded a version of the instrumental for a compilation tribute to Morricone. [29], Wallach and Eastwood flew to Madrid together and, between shooting scenes, Eastwood would relax and practice his golf swing. Mario Brega, a regular in Sergio Leone's spaghetti westerns in the 1960s, appears briefly as a gangster named Mandy. Other voice actors filled in for actors who had since died. [33] Various reasons have been cited for this: Leone often liked to play Morricone's music over a scene and possibly shout things at the actors to get them in the mood. [11], In filming the pivotal gunfights, Leone largely removes dialogue to focus more on the actions of the characters, which was important during the film's iconic Mexican standoff. Most prints, specifically those shown in the United States, had a runtime of 161 minutes, 16 minutes shorter than the Italian premiere version, but others, especially British prints, ran as short as 148 minutes. "In the first film I was alone," he told Leone. Together these films are called the Dollars Trilogy. A song from the band Gorillaz is named "Clint Eastwood", and features references to the actor, along with a repeated sample of the theme song; the iconic yell featured in The Good, the Bad and the Ugly's score is heard at the beginning of the music video. This is seen in the film's rugged and rough aesthetic. The Good, the Bad and the Ugly (Italian: Il buono, il brutto, il cattivo, lit. Given the technical limitations of the time, it would have been difficult to record the sound cleanly in most of the extremely wide shots Leone frequently used. The role eventually went to Charles Bronson. The only known recording of it is a live performance on The Index Masters. Here we are three. In Italy, the region of Lazio was a favorite location. Additional footage of the sequence where Tuco is tortured by Angel Eyes's henchman was discovered. As Tuco screams for mercy, Blondie returns into sight. With grandiose wide shots and close ups that peered into the eyes and souls of the characters, The Good, The Bad, and The Ugly, had the defining cinematographic techniques of the spaghetti western. The Good, the Bad and the Ugly (Italian: Il buono, il brutto, il cattivo, lit. "[17] Top Italian cinematographer Tonino Delli Colli was brought in to shoot the film and was prompted by Leone to pay more attention to light than in the previous two films; Ennio Morricone composed the score once again. [11][64], On review aggregator Rotten Tomatoes, The Good, the Bad and the Ugly holds an approval rating of 97% based on 74 reviews, with an average rating of 8.79/10. "[17] The Batterville Camp where Blondie and Tuco are imprisoned was based on steel engravings of Andersonville. All. Then they'd scrutinize you very tough, but the fact that you're doing a western that's supposed to be laid in southwest America or Mexico, they couldn't care less what your story or subject is. Film Deaths Deaths [edit | edit source]. [73], The footage below is all featured within supplementary features of the 2004 DVD release, Despite the initial negative reception by some critics, the film has since accumulated very positive feedback. "[70] Charles Champlin of the Los Angeles Times wrote that the "temptation is hereby proved irresistible to call The Good, The Bad and the Ugly, now playing citywide, The Bad, The Dull, and the Interminable, only because it is. [84] Premiere magazine included the film on their 100 Most Daring Movies Ever Made list. It is listed in Time's "100 Greatest Movies of the Last Century" as selected by critics Richard Corliss and Richard Schickel. Nobody was injured in the erroneous mistiming. Cruelty is shown in the character of Blondie in how he treats Tuco throughout the film. Rather than portraying the traditional mythic West as an exotic and beautiful land of opportunity, hope, and redemption, they depicted a desolate and forsaken West. St. Martin's Press. Eastwood, Van Cleef and Wallach spoke English, and were dubbed into Italian for the debut release in Rome. Leone's portrayal of the west, in the latter, wasn't concerned with ideas of the frontier or good vs. evil but rather interested in how the world is unmistakably more complicated than that, and how the western world is one of kill or be killed. Mario Brega was born on March 25, 1923 in Rome, Lazio, Italy as Florestano Brega. The film follows Nicole Molino, a French teenager on vacation at the Italian resort island of Ischia. [12] The film's climax, a three-way Mexican standoff, begins with the melody of "The Ecstasy of Gold" and is followed by "The Trio" (which contains a musical allusion to Morricone's previous work on For a Few Dollars More). Once there, after witnessing the wretched conditions of the survivors, he bribes a Confederate soldier (. Russ Hunter writes that the film will “stress the formation of homosocial relationships as being functional only in the pursuit of wealth”. As they wire the bridge with explosives, Tuco suggests they share information, if one person dies before he can help the other. But it was Leone who defined the look and attitude of the genre with his first western and the two that soon were to follow: For a Few Dollars More and The Good, the Bad and the Ugly. The latter studio also released the two-cassette version in 1997 as part of the Screen Epics collection in addition to the single VHS version in 1999 as part of the Western Legends lineup. I was not ignorant of the fact that there were camps in the North. [17] For instance, in one scene, where he was to be hanged after a pistol was fired, the horse underneath him was supposed to bolt. Like a robot. He was an actor and producer, known for The Good, the Bad and the Ugly (1966), A Fistful of Dollars (1964) and For a Few Dollars More (1965). In 1862, during the American Civil War, a trio of bounty hunters attempt to kill fugitive Mexican bandit Tuco Ramírez. The sequence with Tuco, Blondie and Captain Clinton has been extended: Clinton asks for their names, which they are reluctant to answer. Overall, while far from perfect (framing is a bit off and blue push in the tint was a bit strong), I found the picture to be reasonably good-looking for a film of its age, film stock and budget. "The Ecstasy of Gold" is the title of a song used within The Good, The Bad and the Ugly. Both films have their world-wide premiere on the Blu … We then get a shot of the three corpses (fulfilling his title as ‘The Ugly’). The distinct sound of guitarist Bruno Battisti D’Amorio can be heard on the compositions ‘The Sundown’ and ‘Padre Ramirez’. Other bands such as the Ramones have featured the song in their albums and live shows. He then proceeds to kill Stevens and his son. This style can also be seen in one of the film's protagonists, Blondie (aka The Man with No Name), which is described by critics as more defined by his actions than his words. [33] It contains the same special features as the 2004 special edition DVD, except that it includes an added commentary by film historian Sir Christopher Frayling. Negative themes such as cruelty and greed are also given focus and are traits shared by the three leads in the story. Mario Brega was born on March 25, 1923 in Rome, Lazio, Italy as Florestano Brega. [17], The bridge in the film was reconstructed twice by sappers of the Spanish army after being rigged for on-camera explosive demolition. Mario Brega (25 March 1923 – 23 July 1994) was an Italian actor. "[27] As Eastwood played hard-to-get in accepting the role (inflating his earnings up to $250,000, another Ferrari[28] and 10% of the profits in the United States when eventually released there), he was again encountering publicist disputes between Ruth Marsh, who urged him to accept the third film of the trilogy, and the William Morris Agency and Irving Leonard, who were unhappy with Marsh's influence on the actor. It is also seen when he is violently torturing Tuco later in the film. [43] Morricone's distinctive original compositions, containing gunfire, whistling (by John O'Neill), and yodeling permeate the film. The total budget was eventually $1.2 million. [49] Within popular culture, the song has been utilized by such artists as Metallica, who have used the song to open up their live shows and have even covered the song. The Good, the Bad and the Ugly opened in Italy on 23 December 1966,[59] and grossed $6.3 million at that time. Composed by Morricone, it is one of his most established works within the film's score. '"[17] An avid history buff, Leone said, "I had read somewhere that 120,000 people died in Southern camps such as Andersonville. Richard T. Jameson writes “Leone narrates the search for a cache of gold by three grotesquely unprincipled men sardonically classified by the movie’s title (Clint Eastwood, Lee Van Cleef and Eli Wallach, respectively)”.[54]. The trio stares each other down. [23], While Leone developed Vincenzoni's idea into a script, the screenwriter recommended the comedy-writing team of Agenore Incrucci and Furio Scarpelli to work on it with Leone and Sergio Donati. [88] In 2014, Time Out polled several film critics, directors, actors and stunt actors to list their top action films. This isn't the case with the other two. He was a butcher before he drifted into acting, where his heavy physique ensured him a plethora of character roles. The website's critical consensus reads, "Arguably the greatest of the spaghetti westerns, this epic features a compelling story, memorable performances, breathtaking landscapes, and a haunting score. That being said, a film of this caliber cries out for an extensive remastering, à la Lowry Digital. In these violent and troubled times, Spaghetti Westerns, with their antiheroes, ambiguous morals, brutality, and anti-Establishment themes, resonated with audiences. [83] In 2002, Film4 held a poll of the 100 Greatest Movies, on which The Good, the Bad and the Ugly was voted in at number 46. At the end of the 19th century, in a little Italian village by a lake an old statue is recovered. [73], This DVD was generally well received, though some purists complained about the re-mixed stereo soundtrack with many completely new sound effects (notably, the gunshots were replaced), with no option for the original soundtrack. The army rebuilt the bridge while other shots were filmed. Bianco, rosso e Verdone is an 1981 Italian comedy film directed and starred by Carlo Verdone, playing three characters. The main theme, resembling the howling of a coyote (which blends in with an actual coyote howl in the first shot after the opening credits), is a two-pitch melody that is a frequent motif, and is used for the three main characters. [81] Its main music theme from the soundtrack is regarded by Classic FM as one of the most iconic themes of all time. With Barbara Steele, Anthony Steffen, Claudio Gora, Mario Brega. On 12 May 2009, the extended version of the film was released on Blu-ray. The first is an awkward young man, who meet a Spanish tourist in Rome. Voice actor Simon Prescott substituted for Lee Van Cleef who had died in 1989. While the rope around Wallach's neck was severed, the horse was frightened a little too well. British electronica act Bomb the Bass used the main theme as one of a number of samples on their 1988 single "Beat Dis", and used sections of dialogue from Tuco's hanging on "Throughout The Entire World", the opening track from their 1991 album Unknown Territory. He died on July 23, 1994 in Rome. These films featured knifings, beatings, shootouts, or other violent action every five to ten minutes. After getting the information he needs from Stevens he is given money to kill Baker (his employer). [13] Due to general disapproval of the Spaghetti Western genre at the time, critical reception of the film following its release was mixed, but it gained critical acclaim in later years, becoming known as the "definitive Spaghetti western". After the success of For a Few Dollars More, executives at United Artists approached the film's screenwriter, Luciano Vincenzoni, to sign a contract for the rights to the film and for the next one. Western / Action (1967) 114 minutes ~ Color As a child, Bill witnesses the murder of his family by four robbers. Blondie states that he lied about the name on Stanton's grave, and offers to write the real name of the grave on a rock. Bobby first of all is an actor, Clint first of all is a star. [69][78] The Good, the Bad and the Ugly has been described as European cinema's best representation of the Western genre film,[79] and Quentin Tarantino has called it "the best-directed film of all time" and "the greatest achievement in the history of cinema". Overview. [73], Disc 1 contains an audio commentary with writer and critic Richard Schickel. The plot revolves around three gunslingers competing to find fortune in a buried cache of Confederate gold amid the violent chaos of the American Civil War (specifically the New Mexico Campaign in 1862), while participating in many battles and duels along the way. [30] Wallach was almost poisoned during filming when he accidentally drank from a bottle of acid that a film technician had set next to his soda bottle. This dialogue along with some of the mule dialogue from Fistful of Dollars was also sampled by Big Audio Dynamite on their 1986 single Medicine Show. For example, when he kills Stevens he also kills his son. The west was made by violent, uncomplicated men, and it is this strength and simplicity that I try to recapture in my pictures. Blondie decides to destroy the bridge to disperse the two armies to allow access to the cemetery. Behind his cold and stony stare is a cynical mind powered by a dubious morality. He never introduces himself when he meets anyone, and nobody ever asks his name. Death Rides a Horse (1967) / Region 3 PAL DVD / Audio: English, Thai / Subtitles: English, Thai / Actors: Lee Van Cleef, John Phillip Law, Mario Brega / Director: Giulio Petroni / 110 minutes 8858714016884 Region 3 PAL encoding (This DVD will not play on most DVD players sold in the US or … Leone, often forcefully, insisted on shooting scenes from many different angles, paying attention to the most minute of details, which often exhausted the actors. Instead of scoring the film in the post-production stage, they decided to work on the themes together before shooting had started, this was so that the music helped inspire the film instead of the film inspiring the music. [17] The studio agreed, but wanted to know the cost for this next film. Film profile for Mario Brega, Actor, born 5 March 1923. Tuco shoots Elam, causing Blondie to investigate the gunshots. In the United States, United Artists considered using the original Italian translation, River of Dollars, or The Man With No Name, but decided on The Good, the Bad and the Ugly. [96] The genre is unmistakably a Catholic genre, with a visual style strongly influenced by the Catholic iconography of, for instance, the crucifixion or the last supper. Blondie grows weary of Tuco's complaints, Blondie kills three of Tuco's gang only to be captured by Tuco. [27] Eastwood banished Marsh from having any further influence in his career, and he was forced to sack her as his business manager via a letter sent by Frank Wells. They need to clear a way to the cemetery and succeed in doing so. [102], These films were undeniably stylish. Angel Eyes asks the rest of his men to come out of hiding. The South Korean western movie The Good, the Bad, the Weird (2008) is inspired by the film, with much of its plot and character elements borrowed from Leone's film. [103] With a greater sense of operatic violence than their American cousins, the cycle of spaghetti westerns lasted just a few short years, but before "hanging up its spurs" in the late 70s, it completely rewrote the genre. As Blondie disappears into the horizon, a still-tied up Tuco curses at and runs after him. Blondie, Angel Eyes, and his henchmen arrive in an evacuated town. Compare. [39] All three characters can be seen as anti-heroes, killing for their personal gain. There was very little morality because often the protagonist was a bad guy.” Eastwood's character is a violent and ruthless killer who murders opponents for fun and profit. SYNOPSIS: Kino Lorber rounds up Sergio Leone’s westerns in a five-film Blu-ray collection that includes a copious amount of bonus features, except the second disc found in … [89] BBC created an article analysing the ‘lasting legacy’ of the film, commenting about the trio scene to be “one of the most riveting and acclaimed feature films sequences of all time". For the American version, the lead acting voices were used, but supporting cast members were dubbed into English. As Brian Jenkins states “A union cordial enough to function peacefully could not be reconstructed after a massive blood-letting that left the North crippled by depopulation and debt and the south devastated”. [16], Eastwood received a percentage-based salary, unlike the first two films where he received a straight fee salary. He has noted the film's theme of emphasis on violence and the deconstruction of Old West romanticism. Meanwhile, Tuco is rescued from three bounty hunters by a nameless drifter to whom Tuco refers as "Blondie", who delivers him to the local sheriff to collect his $2,000 bounty. According to Leone, "I couldn't use a single thing they'd written. Blondie binds Tuco's hands and forces him to stand balanced precariously atop an unsteady grave marker while he takes half the gold and rides away. Tuco and Blondie travel toward Sad Hill, but their way is blocked by Union troops on one side of a strategic bridge, with Confederates on the other. "[17] Vincenzoni claims that he wrote the screenplay in 11 days, but he soon left the project after his relationship with Leone soured. The film deconstructs Old West Romanticism by portraying the characters as antiheroes. The sequence with Tuco and Blondie crossing the desert has been extended: Tuco mentally tortures a severely dehydrated Blondie by eating and bathing in front of him. It was produced by Sergio Leone, soundtrack composed by Ennio Morricone and guest starred by Mario Brega, all formerly scored in the Dollars … [99][100][101], The genre expanded and became an international sensation with the success of Sergio Leone's A Fistful of Dollars, an adaptation of a Japanese Samurai movie called Yojimbo. The two escape on horseback and split the bounty in a lucrative money-making scheme. According to Vincenzoni and Eli Wallach, the film would have been set 20 years after the original, and would have followed Tuco pursuing Blondie's grandson for the gold. [105], From The Good, the Bad and the Ugly soundtrack by, The film was shot in three languages simultaneously: English, Italian and Spanish. Confusion, comedy and romance ensue. Also, in the documentary "Reconstructing The Good, the Bad, and the Ugly", what looks to be footage of Tuco lighting cannons before the Ecstasy of Gold sequence appears briefly. Bobby suffers, Clint yawns. When Tuco returns with water, Carson has died and Blondie, slumped next to him, reveals that Carson recovered and told him the name on the grave before dying. The original Italian domestic version was 177 minutes long,[63] but the international version was shown at various lengths. Il miglior film di Verdone, il primo "maturo", in cui passa dagli episodi incentrati sui suoi celebri personaggi ad una storia pungente e ironica, adatta a spettatori di ogni latitudine (non solo ai romani...), in cui non mancano grasse risate. The film is known for Leone's use of long shots and close-up cinematography, as well as his distinctive use of violence, tension, and stylistic gunfights. Tuco is set up in a scene in which three bounty hunters try to kill him. Director of photography Tonino Delli Colli was responsible for the film's sweeping widescreen cinematography, and Ennio Morricone composed the film's score including its main theme. Wallach mentioned this in his autobiography[31] and complained that while Leone was a brilliant director, he was very lax about ensuring the safety of his actors during dangerous scenes. [53], Like many of his films, director Sergio Leone noted that the film is a satire of the western genre. [58] Although not fighting in the war, the three gunslingers gradually become entangled in the battles that ensue (similar to The Great War, a film that screenwriters Luciano Vincenzoni and Age & Scarpelli had contributed to). A Fistful of Dollars (Per un pugno di dollari) (1964) [Chico]: Crushed by a barrell (along with a henchman) sent rolling down by Clint Eastwood. [26] Eastwood remembers, "They would care if you were doing a story about Spaniards and about Spain. [56] This all culminates in the film's final set-piece which takes place in the cemetery. "[68] To this day, Leone's effort to reinvigorate the timeworn Western is widely acknowledged. Greed is shown in the film through its main core plotline of the three characters wanting to find the $200,000 that Bill Carson has said is buried in a grave in Sad Hill Cemetery.

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